Much of the biology of oxidative stress and oxidative signalling centres on the generation and handling of hydrogen peroxide. The overall aim for this book would be to provide an insightful and useful forum to assist with the understanding of the relevance of hydrogen peroxide generation and how this is managed in human biology. The target audience would be those who currently have an interest in the generation of ROS, but who do not have expertise in chemistry, as well as those experts in the chemistry of oxidative stress, but without detailed understanding of the biologically relevant setting. We would aim to bridge the gap in understanding between chemistry and biology.

Through fourteen original essays by leading historians and media scholars, "Anglo-American Media Interactions" reveals the complicated ways in which British and American media have influenced each other over the past two centuries. In doing so, it adds an important transatlantic dimension to a media scholarship that normally remains within strictly national contexts, while demonstrating the crucial and varied ways in which media have helped build an Anglo-American 'special relationship'.

What were the cultural factors that held the British world together? How was Britishness understood at home, in the Empire, and in areas of informal British influence? This book makes the case for a 'cultural British world', and examines how it took shape in a wide range of locations, ranging from India to Jamaica, from Sierra Leone to Australia, and from south China to New Zealand. Eleven original essays explore a wide range of topics, including images of nakedness, humanitarianism, anti-slavery, literary criticism, travel narratives, and household possessions. The book argues that the debates around these issues, as well as the consumer culture associated with them, helped give the British world a sense of cohesion and identity. The cultural construction of the British world will be essential reading for historians of imperialism and globalisation, and includes contributions from some of the most prominent historians of British imperial and cultural history. -- .

Much of the biology of oxidative stress and oxidative signalling centres on the generation and handling of hydrogen peroxide. The overall aim for this book would be to provide an insightful and useful forum to assist with the understanding of the relevance of hydrogen peroxide generation and how this is managed in human biology. The target audience would be those who currently have an interest in the generation of ROS, but who do not have expertise in chemistry, as well as those experts in the chemistry of oxidative stress, but without detailed understanding of the biologically relevant setting. We would aim to bridge the gap in understanding between chemistry and biology.

This book examines the British cultural engagement with Hong Kong in the second half of the twentieth century. It shows how the territory fit unusually within Britain's decolonisation narratives and served as an occasional foil for examining Britain's own culture during a period of perceived stagnation and decline. Drawing on a wide range of archival and published primary sources, Hong Kong and British culture, 1945-97 investigates such themes as Hong Kong as a site of unrestrained capitalism, modernisation, and good government, as well as an arena of male social and sexual opportunity. It also examines the ways in which Hong Kong Chinese embraced British culture, and the competing predictions that British observers made concerning the colony's return to Chinese sovereignty. An epilogue considers the enduring legacy of British colonialism. -- .

British comedy starring Jack Buchanan and Greta Gynt. After battleship Captain Mailtand (Buchanan) enjoys a large party in honour of his next voyage, he finds two young women (Gynt and Kay Walsh) still aboard the ship once it has set off. To protect the trespassers as well as himself, he agrees to hide them in his quarters but it proves difficult to keep them concealed with the Admiral (Fred Emney) unexpectedly onboard, resulting in hilarious consequences.

Historians recognize the cultural centrality of the newspaper press in Britain, yet very little has been published regarding competing historical understandings of the press and its proper role in British society. In Visions of the Press in Britain, 1850-1950, Mark Hampton argues that qualities expected of the contemporary British press--lively writing, speed, impartiality, depth, and the ability to topple corrupt governments by informing readers--are not obvious attributes of journalism but derive from more than a century of debate. He analyzes the various historical conceptions of the British press that helped to create its modern role, and demonstrates that these conceptions were intimately involved in the emergence of mass democracy in the late nineteenth and early twentieth centuries. Hampton surveys a diversity of sources--Parliamentary speeches and commissions, books, pamphlets, periodicals and select private correspondence--in order to identify how governmental elites, the educated public, professional journalists, and industry moguls characterized the political and cultural function of the press. The resulting blend of cultural history and media sociology demonstrates how once optimistic visions of the press have given way to more pessimistic contemporary views about the power of the mass media. With clarity and panache, this book shows that many competing conceptions continued to influence twentieth-century understandings of the press but did not remain satisfactory in new political, cultural, and media environments. Visions of the Press in Britain, 1850-1950 provides a rich tapestry against which to understand the contemporary realities of journalism, democracy, and mass media.